[Fine] wrote
Duo for Flute and Viola for flutist Claude
Monteux (the son of distinguished French conductor Pierre
Monteux) and Walter Trampler….Not surprisingly,
Fine’s Duo is virtuosic. There are no
barlines or meter, and sudden changes of tempi, one of
which is caused by a metric modulation, enhance its
artistry. The Duo is an outgrowth of the String
Quartet, as evidenced by its long arching lines and
directions for changes in timbral quality, such as
“explosively,” “clear,”
“stridente,” and “easy.” Each
instrument has a cadenza, but most interesting is the
counterpoint between the two. There is no imitation or
exchange of material, giving each instrument an
independent voice. Fine does refer to the
Duo’s beginning near the end of the piece,
but the material soon changes to become a perpetuum
mobile ending.”
–Heidi Von Gunden,
The Music of Vivian Fine, Scarecrow Press,
1999