Although the
Concertino is in one movement, it is divided
into five sections, reflecting the usual interpretation
of a concertino as a small-scaled
concerto….However, Fine blurs the distinction
between soloist and ensemble. At times the mallet
percussion instruments are an extension of the piano and
vice versa. Often the piano and percussion are treated as
equals, sharing phrases. The piano does have a cadenza at
the end of the first section, and the ‘Lento
appassionato’ features the percussion ensemble,
especially the timpani, portraying a seductive dance
rhythm, with the piano participating at the end of the
section.
–Heidi Von Gunden,
The Music of Vivian Fine, Scarecrow Press,
1999